Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.
Making The Flash: Worlds Collide
Memories
Becoming Hitchcock: The Legacy of Blackmail
Dog Days: The Making of 'Cujo'
A Filmmaker's Journey: Making 'The Return of the King'
Listen to the Light: The Making of 'Brain Damage'
The Making of 'Close Encounters of the Third Kind'
The Making of 'The Lost World'